ONCE UPON A TIME INCONCEIVABLE

Beykoz Kundura

THERE, THERE: KATE SUTTON ON PROTOCINEMA’S “A FEW IN MANY PLACES”

Kate Sutton

PROTOCINEMA, MARI SPIRITO’S ART SPACE WITHOUT A SPACE, TURNS 10

Sam Gaskin

ONCE UPON A TIME INCONCEIVABLE

Yeni Kundra

ISTANBUL'S PROTOCINEMA CELEBRATES 10 YEARS WITH SPECIAL EXHIBITION

BIR ZAMANLAR KAVRANAMAYAN’IN ARDINDAN

Ulya Soley

“ONCE UPON A TIME INCONCEIVABLE”: A REVIEW AND A CONVERSATION

Insun Woo

PROTOCINEMA FOUNDER MARI SPIRITO TALKS LEAN STRUCTURES, CODED MESSAGES, AND CROSS-CULTURAL COLLABORATION

Hili Perlson

ON HISTORY AND ARCHIVES: PROTOCINEMA IN NEW YORK

Matt Hanson

BLURRING THE BORDERS OF SOUTHEAST ASIAN ART IN BANGKOK

Rémy Jarry

ON ART, INCONCEIVABILITY: PROTOCINEMA RETURNS TO ISTANBUL'S BEYKOZ

Matt Hanson

BATEYES DEL CHIBAL: AN INTERVIEW WITH JORGE GONZÁLEZ

Sebastián Meltz-Collazo

‘A FEW IN MANY PLACES’ BY PROTOCINEMA ASPIRES TO PROGRESSIVE EXHIBITION MODELS

Shraddha Nair

ABHIJAN TOTO: HOW CURATORS CAN LEARN FROM PROTESTERS

Max Crosbie-Jones

UNAS CUANTAS EN VARIOS LUGARES: SANTURCE

ÇERÇEVENIN REDDI OLARAK KUIR SOYUTLAMA

Seçıl Epık

A FEW IN MANY PLACES : A MEETING BETWEEN PHYSICAL AND DIGITAL REALMS

Aliette Dumont Saint Priest

JUN KAI OXI, CHAQAB ́ATA K ́OBI, 十方鎖事

THE QUIETING OF TURKEY

Gesine Borcherdt

GRI ALANLARA SIZIN BIR SERGI: GÖZE PARMAK

Koyuncu Bali

GÖRÜNÜRLÜĞÜN ÖTESINDE KUIR IHTIMALLER’

Melih Aydemir

INTERVIEW: ALPER TURAN

Mine Kaplangi

WIE MAN EIN EINHORN VERSTECKT

Sabine Küper-Büsch

GÖZE PARMAK

Deniz Kırkalı

GÖZE PARMAK

Alper Turan

GÖZE PARMAK

KUIR VAROLUŞA DAIR: GÖZE PARMAK,

GÖZE PARMAK SERGISI, KAMUFLE BIR KUIR YÖNTEM ÖNERIYOR

STÉPHANIE SAADÉ ON THE BEIRUT EXPLOSION AND AN ARTWORK LOST TO THE BLAST

By Kaya Genç

ART PERSEVERES IN ISTANBUL DESPITE CORONAVIRUS

Ayla Jean Yackley

PROTOCINEMA DISCUSSES CYCLES OF VIOLENCE THROUGH HYPER LOCALISED ART INTERVENTIONS

Shraddha Nair

ÖZNELER ARASI KARŞILAŞMALAR

Rana Kelleci

ARTDOG ISTANBUL ÖZEL: ÜÇ SANATÇIDAN ‘İÇINDE YAŞADIĞIMIZ GERÇEKLIĞE’ YORUMLAR

PROTOCINEMA'DAN BEŞ ŞEHIRDE BEŞ SANATÇI: A FEW IN MANY PLACES

TARIHSEL DÖNGÜYE SANAT MÜDAHALESI

BEŞ ŞEHIRDE BEŞ SANATÇI MÜDAHALESI

PSIKANALIZDE DIVANA UZANMASI GEREKEN SEVGILI TÜRKIYE

Gülben Çapan

5 ŞEHIRDE 5 EHIRDE 5 MÜDAHALEYLE TARIH DÖNGÜLERI SANATATAK

“HOW SHALL WE DRESS FOR THE OCCASION?”

Hannah Stamler

PROTOCINEMA VE 601ARTSPACE'TEN YENI SERGI: “BU DURUMDA NASIL GIYINMELI?"

Yorum Yapin

BU DURUMDA NASIL GIYINMELI?

BU DURUMDA NASIL GIYINMELI?

TÜRK ÇAĞDAŞ SANATI NEW YORK’TA

Burcu Aldinç

LIU CHUANG

HG Masters

CANNIBALISED CULTURES AND COLONISED TERRITORIES

Mark Rappolt

LIU CHUANG’IN ‘BITCOIN MADENCILIĞI VE ETNIK AZINLIKLARIN SAHA KAYITLARI’ ADLI ÜÇ KANALLI VIDEO YERLEŞTIRMESI, PROTOCINEMA’DA

Merve Yahşi

MIKE NELSON, PROJEKTÖR (GÜRÜN HAN)

MIKE NELSON, PROJEKTÖR (GÜRÜN HAN)

Chloe Chu

MIKE NELSON’S TIME-TRAVELING INSTALLATION EXPLORES ISTANBUL’S HISTORY

Kaya Genç

MIKE NELSON

Merve Elveren

YERIN RUHLARI

Fatıh Özgüven

THE WORKER AS CRITIC: PROTOCINEMA PRESENTS PROJEKTÖR

Matt Hanson

SIRKECI’DE ÇAĞDAŞ SANAT

Banu Çarmıklı

BRITISH ARTIST FOCUSES ON GÜRÜN HAN

IN-BETWEEN SPACES: PROTOCINEMA AND MIKE NELSON'S "PROJECTÖR (GÜRÜN HAN)”

Ezgi Yurteri

CRITIC’S PICKS

Gökcan Demirkazık

FROM MARINA ABRAMOVIC TO GLENN LIGON: MARI SPIRITO ON GETTING ART BASEL TALKING

ROSSELLA BISCOTTI: STUDIES INTO A BYGONE CIVILIZATION'S ‘SOCIETY OF SUPPORT’

Barbara Casavecchia

DIGGING DOWN INTO TURKEY’S NEOLITHIC CITY

Mary Pelletier

ROSSELLA BISCOTTI - THE CITY: DIE LOSEN ENDEN DER GESCHICHTE

Ferial Nadja Karrasch

HEUTE WIE VOR NEUN JAHRTAUSENDEN

Beate Scheder

“GLOBAL OR LOCAL – FOR WHOM?” | ART WORLD TALK | ART BASEL CONVERSATIONS 2018 – VIDEO SUMMARY

Jessica Clifford

"WHAT MAKES A FLAG REAL - INTERVIEW WITH HASAN ÖZGÜR TOP

Inez Piso

ONE OF 2017’S BEST EXHIBITIONS WAS IN ISTANBUL

BAŞTAN BAŞLAMAK

AÇIK DERGI: 1 KASIM 2017 _ BURAK KABADAYI ILE BAŞTAN BAŞLAMAK

ADRIAN PACI SHOWS US HOW WE MOURN THE DEATH OF DICTATORS

Hrag Vartanian

PROTOCINEMA SUNAR: KIRALIK, SATILIK

BEYOĞLU’NDAKI KENTSEL DÖNÜŞÜM PROTOCINEMA’DA

PROTOCINEMA BRINGS ADRIAN PACI’S POIGNANT COLLAGE OF HUMANITY’S MOURNING RITUALS TO ISTANBUL

Naomi Rea

CRITIC'S GUIDE: ISTANBUL - ADRIAN PACI & ‘KIRALIK SATILIK’

Nicole O'Rourke

KENTSEL DÖNÜŞÜMÜN BOYUTLARI SANATIN FARKLI ALANLARIYLA “KIRALIK, SATILIK”TA

KIRALIK, SATILIK' SERGISI PROTOCINEMA HAMURSUZ FIRINI’NDA

KIRALIK VE SATILIK ‘DÖNÜŞÜM’

ZAMANIN HÂKIMIYETI

Osman Can Yerebakan

KÖKEN ERGUN, MARI SPIRITO, AND YULIA AKSENOVA IN CONVERSATION ABOUT YOUNG TURKS

A DREAMLIKE DISTORTION OF TURKISH PATRIARCHAL SOCIETY

Ari Akkermans

TURKISH ARTIST FOCUSES ON GENDER ROLES IN PARIS EXHIBIT

LARA ÖGEL, PARIS’TE SERGI AÇTI

IS ISTANBUL A SMART CITY?," INTERVIEW MIKA TAJIMA WITH ROBBIE VALENTINE

A LUMINESCENT INSTALLATION RESPONDS TO TWITTER USERS’ MOOD SWINGS

Ari Akkermans

EMOTION COMMUNE" STREAMS SOUTH KOREA’S SMART CITY TO ISTANBUL

Joshua Bruce Allen

DUYGULAR IŞIĞA DÖNÜŞÜNCE

Tuğba Ese

TECHNOLOGY: GREATER CONTROL, LESS FREEDOM?

Özlem Sakim

BAŞKA BIR DOĞA MÜMKÜN MÜ?

Burcu Ezer

ISTANBUL FROM A DIFFERENT PERSPECTIVE: A CONVERSATION WITH MARI SPIRITO, FOUNDER OF PROTOCINEMA

THE VALUE OF THE JOURNEY: EMERGING SYRIAN ARTIST AND CURATOR GHAITH MOFEED

VAHAP AVŞAR AT P! AND PROTOCINEMA: THAT STRANGE MAN IS NOT YOUR FRIEND

Paddy Johnsonvah

CURATOR'S CHOICE: MARI SPIRITO, DIRECTOR OF PROTOCINEMA

CELLS REPRESENT ANCESTORS AT EXTRAORDINARY INSTALLATION

GÖÇ EDEN VE HAYATTA KALAN BIR 'HÜCRE

BU SERGIDE KARADENIZ VAR!

ONARIM ÇAĞI ÖNCESI

Zeynep Hekım

THE VALUE OF A CELL

Ghaith Mofeed

LATIFA ECHAKHCH

INTERVIEW: MARI SPIRITO

HALE TENGER, WESTBETH

Jane Ursula Harris

1964 YILINDA GERÇEKLEŞEN CINAYETTEN BUGÜNE, ŞEBNEM KIRMACI

GAZETE KUPONUNDAN ÇIKAN SERGI!

BREAKING THE WAVES